The Left once tried to own the legacy of America’s Bicentennial, but ran into ideological and structural roadblocks all too familiar today.
Before beanie babies and Pogs, small rectangles of cardboard were the errant investments of a stratifying American society.
Le Carré elevated quit lit into something sublime and deserving of literary awards, unlike my overwrought internet Weltschmertz.
Until the End of the World, Wim Wenders’s doomed epic, was shockingly prescient about America’s equally doomed 21st century.
In the turbulent 1970s, the balm of pop cultural nostalgia set the tone for today’s political reaction.
OK Computer was the Sgt. Pepper of a generation with diminished expectations.
People talk of a “constitutional crisis” these days as if we haven’t been in one for years, says historian Jason Tebbe.
No film genre in Hollywood’s golden age was more urban to its core than noir. The word conjures […]