The question, Milanich argues, is not “Who is the father?” but rather, “Who do we want him to be?”
Chia-Chia Lin’s novel captures the bittersweet flavor of Asian-American dreams – those broken and realized alike.
Even as it is a critique of capitalism, Bong Joon-ho’s film is also an immediate, sexual object under capitalism.
Visual media have the advantage of providing quick comfort; if you need a change of mood or just […]
Historian and legal expert Ariela J. Gross opens her 2008 work What Blood Won’t Tell with details from […]
Indie and art house film has always extended the possibility of artistic freedom—at least as much as it’s […]
“Often like a ghost in the shadows, the mother haunts film noir,” observed Kelly Oliver and Benigno Trigo […]