Jane Schoenbrun’s new film is a gonzo exploration of queer sexuality and trash pop culture: Ingmar Bergman by way of Cool Ranch Doritos.
sexuality
Allegations about the fabled author’s uncle and his potential transgressions renew questions about how much an author’s personal experiences matter when we evaluate their work.
I look for the slightest bit of sapphic tension in every piece of media I interact with. Last […]
From Boleyn to Bey, history-making women power a new form of queer diva on the contemporary stage.
Though these assaults are not unique to the Russian military, it is very much rooted in a longer history of Russian sexual violence as a tool of war.
If Marx and Engels were right that capitalism creates “its own grave-diggers,” then the most revolutionary of these grave-diggers are the colonized people—the women, the children, the minorities, the immigrants, and the people of color.
The counterculture dictum to “turn on, tune in, drop out” did not quite capture Janis’s philosophy to “get it while you can.”
Even as it is a critique of capitalism, Bong Joon-ho’s film is also an immediate, sexual object under capitalism.